Showing posts with label classical music. Show all posts
Showing posts with label classical music. Show all posts

The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies Review

The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies
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This book displays an impressive mastery of both the primary sources and secondary literature in both classical Greek philosophy and Asian religio-philosophical traditions. Its arguments are more than plausible, indeed, they are imaginative, courageous and persuasive. I had, until now, been unable to recommend to my students in "comparative world religions" a reliable book from which they could see the possible connections between seemingly disparate traditions. Much that comes under the rubric "comparative philosophy" is rather dated, superficial, or burdened with overweening biases and prejudices (not to mention bereft of historical warrant). I see this work as taking up where other pioneers have left off: Karl Potter, Ninian Smart, B.K. Matilal, for instance, in Indian philosophy, and Herbert Fingarette, Joel Kupperman, David Hall and Roger Ames, most notably, in ancient Chinese philosophy. Those students of ancient Greek philosophy who have read, and enjoyed, their Nussbaum, Sorabji or Hadot, will likewise be moved by this book. Having set an enviable and emulative standard, I hope it portends more works along these lines.

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This unparalleled study of early Eastern and Western philosophy challenges every existing belief about the foundations of Western civilization.Spanning thirty years of intensive research, this book proves what many scholars could not explain: that today's Western world must be considered the product of both Greek and Indian thought—Western and Eastern philosophies.Thomas McEvilley explores how trade, imperialism, and migration currents allowed cultural philosophies to intermingle freely throughout India, Egypt, Greece, and the ancient Near East. This groundbreaking reference will stir relentless debate among philosophers, art historians, and students.

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Lost Masters: The Yoga of the Ancient Greeks Review

Lost Masters: The Yoga of the Ancient Greeks
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Linda Johnsen's book on "Greek Sages" is almost too good to be true. There are, in fact, lot's of good books to read about Greek philosophy that more or less accurately convey its spiritual content - but most of those books are fairly or even extremely demanding of the reader. Three good examples of what I'm talking about are Pierre Hadot's "What is Ancient Philosophy?", Robert Lamberton's "Homer the Theologian" and Gregory Shaw's "Theury and the Soul." Those just aren't books that I can recommend to most of my friends - not because my friends are stupid, but because to tackle those books you have to already have a pretty high level of interest and motivation - which most people don't have when it comes to the "boring" topic of Greek philosophy. But Johnsen has a Goddess-given gift for not only communicating her infectious enthusiasm, but also for making things as simple as possible - but no simpler (as Einstein advised).
Reading "Lost Masters" is like "taking the red pill" in the Matrix - the veil isn't just lifted - it is rent in two and you see what was there all along, but which had been invisible before. The artificial barrier between "East" and "West" dissolves and you realize that the great wisdom of the Pagan sages could never be extinguished, because it's origin was Divine.
You see, the great Sages of both Greece and India were both in touch with the same Divine source of Wisdom. And not only that, but there certainly were direct human contacts between "East" and "West". Johnsen does a good job of (1) drawing parallels between Greek philosophy/spirituality and that of India, (2) pointing out the historically well-documented fact that the Greeks looked to India and Egypt for spiritual inspiration and information, and (3) at the same time avoiding extravagant claims that might otherwise ruin a book like this.
The single most important thing about this book is that Johnsen emphasizes the importance of understanding the ancient sages of "Western" philosophy in their own terms. We can read what they wrote in their own words (or in translation, in the likely event that your Attic Greek and/or Latin are a little rusty) - and when we do we can hear the genuine voice of a Pagan spiritual tradition that has never truly died - in part because it was one piece of seamless whole that also included the Wisdom of India (which has survived intact, despite the best efforts of centuries of Muslim and Christian invaders).
Johnsen manages to cover an enormous amount of material in this book - but she does so without oversimplifications or "dumbing down." At the same time, this book should only be the beginning for anyone who is serious about taking up this path of the "Sages of Ancient Greece." I would strongly recommend going directly from "Lost Masters" to Pierre Hadot's book mentioned above - and then directly to Plato himself. But as Johnsen points out, you absolutely need "spiritual practice" as the basis for your path, so, of couse, you'd better be meditating, too! Hadot, by the way, also emphasizes the fundamental necessity of "practice".
There are actually a few minor things that I could complain about. I wish the book had an index!!!! Arrrrgh. And Johnsen is a little too easy on the Christians in the chapter "Extinguishing the Light" - and she is a little too positive (to put it mildly) about Gnosticism. She should re-read Plotinus' extensive critique of their dualistic version of Christianity. And she could have had a lot more to say about Roman/Latin sources of Pagan wisdom, like Virigil and Apuleius - who played a very important role in keeping Pagan spirituality alive even in the darkest of the Dark Ages. Despite these complaints I would give this book six stars if I could!!! This is possibly the most revolutionary book on Paganism since Starhawk's "Spiral Dance." Seriously.

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Famous Greek philosophers studying in India? Yoga ashrams in Europe 2,600 years ago? Meditation classes in ancient Rome? It sounds unbelievable, but Linda Johnsen has uncovered a treasure trove of historical evidence of spiritual practices in the ancient Western world paralleling the yoga tradition of India and the East. Even more amazingly, she brings to light long-neglected historical accounts by the ancient Greeks themselves describing their pilgrimages to India and their encounters with enlightened masters of the East.Rediscover the long-forgotten spiritual masters of Egypt and Europe, their astonishing lives, their schools of practice, and their teachings about higher states of consciousness and how to achieve them. Learn what they taught about karma, the afterlife, reincarnation, and God.

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Egyptian Erotica: The Essence of Ancient Egyptian Erotica in Art and Literature (Essence of Erotica series) Review

Egyptian Erotica: The Essence of Ancient Egyptian Erotica in Art and Literature (Essence of Erotica series)
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This varied collection pulls together little-known material from the classical Egyptian era, a span of more than 3000 years. They were an agricultural people so fertility had profound meaning for them. And, like us, they were vividly aware of the many meanings of human sexuality. Those concerns and delights both had their place in the writings and visual art that have come down to us.
This presents many samples from that long-lived civilization. Those include pictures from many papyri and other sources, from rough and iconic (p.123) to the more polished. I was especially impressed by the statuary and carvings, whether sensual and restrained (p.33, 102), comically bawdy (p.27), or functional as a lady's toy (p.39). The writings cover much the same range, including a Cinderella story where the glass slipper is replaced by a tuft of pubic hair!
Despite the enjoyable parts of this book, it suffers systematic flaws. Many of the photos are out of focus, and many modern line drawings are interspersed with the original images. I found them annoying until I realized that they were tracings of originals, possibly ones that had been rendered almost illegible by the ravages of time. A caption or two would have helped the modern drawings to make sense. That leads to my biggest problem with this book: it's lack of attributions. As the authors point out, the classical period of Egypt lasted longer than any other civilization by thousands of years, and went through many cycles of cultural change during that time. Despite that, almost none of the artworks or writings are tied to any particular era or area. The resulting image of the people's beliefs about sex and sexuality has been torn into kaleidoscopic pieces and scattered throughout the book. Because there are no attributions or bibliography, the authors make it impossible for me to piece that history together on my own.
This is OK as a coffee table book, despite the many flaws in the way it presents its images. It will disappoint any more serious reader, especially those who want a coherent picture of historical trends.
//wiredweird

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Ancient Faces : Mummy Portraits in Roman Egypt (Metropolitan Museum of Art Publications) Review

Ancient Faces : Mummy Portraits in Roman Egypt (Metropolitan Museum of Art Publications)
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This exhibition is a facinating personal document of the Roman mummy portraits and their Egyptian and greek influenced hybrid artworks. The incredible freshness of the works themselves is lost in the printing here. Perhaps the encaustic is difficult to photograph? Anyway the topic and text is wonderful, but the images pale next to the 1st person experience of these vital energizing works of the Roman era.A good book to own, if you saw the show it's better.

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Dating from the later period of Roman rule in Egypt, shortly before the birth of Christ, the painted mummy portraits are among the most remarkable products of the ancient world, a fusion of the traditions of pharonic Egypt and the Classical world. They are historical and cultural objects of outstanding importance and beauty, superb works of art that represent some of the earliest known examples of life-like portraiture. Though the subjects of the portraits believed in the traditional Egyptian cults, which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, with their fashion of dress and adornment signaling their status in life. Despite their ancient history, these portraits speak to the modern eye with a beauty and intensity that would be lost to portraiture until the Renaissance.

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