Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Ancient Evenings Review

Ancient Evenings
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The story opens with the birth-or I should say-re-birth of the main character Menenhetet.
This description,fiery and mystical, sets the stage for the level of tales to follow. As one reads about the many exploits of Menenhetet, one begins to reflect on ones' own life experiences: the ups and downs, the power ploys, the sexual exploits(of which there are many and varied), and at last both the finality and continuity of life. The descriptions of place such as the palace of Thebes, the Gardens of the little queens (the harem), the battle at Kaddesh, the royal barge, the city of Tyre are all told with stunning clarity and immediacy. Another review described the homosexual scenes between men; there are also some such scenes between the little queens, but all these scenes, including the many heterosexual ones are described with a sensitivity and a focus on power in relationships rarely written about in most modern novels. At least that has been my experience. Finally, the way Mailer writes about the thoughts of the different characters and the way they drift in and out of each others minds made me believe in the ability of a person today to experience transcendent thought. I read the book over six years ago and I am still impressed with its' power over my consiousness.

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Casting the Gods Adrift: A Tale of Ancient Egypt Review

Casting the Gods Adrift: A Tale of Ancient Egypt
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Casting the Gods Adrift is a wonderfully written tale of an Egyptian boy's struggles between following his father and following the Pharaoh. Historically accurate and full of challenging vocabulary, this is a must read for anyone studying Ancient Egypt - or anyone who simply loves great literature!

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The Tutankhamun Affair Review

The Tutankhamun Affair
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Tutankhamun referred to as the kinglet in the early 1900s was described by some archaeologists as an unimportant pharaoh while others passed him off as mere myth. The pharaoh who slept in darkness and obscurity for 3000 years was still hidden under the sand in the Valley of the Kings. Englishmen Howard Carter along with the financial support of George Herbert, Lord Carnarvon would make Tutankhamun a household name and famous around the world.

It was Professor Percy Newberry who introduced eighteen year old Howard Carter to Egypt in 1894. Carter accompanied Newberry as a painter to sketch artifacts, but Carter found is purpose for living. Without university training he learned the skills of an archaeologist. He also learned to read and write hieroglyphics and the histories of the pharaohs. One pharaoh in particular called to him and that was the undiscovered Tutankhamun.

Lord Carnarvon an adventurer himself and never one to back down from a challenge suffered terrible injuries in an automobile accident. Later, he was advised to spend his winters in Egypt where the climate was more suited to his condition. It was there that he developed a taste for excavation and sought Howard Carter.

For several years Carter searched the sands only to discover trinkets. It was believed that the wealthy amateur excavator Theodore Davis had previously exhausted all the treasures to be found. Davis even claimed to have found a cache of Tutankhamun without actually finding the pharaoh. Although frustrated, Carter pursued what was in his heart and soul. On 4 November 1922, Carter's team came across a staircase leading down into the sand. On 24 November, Carter reached a door with a cartouche reading Tutankhamun. But the discovery would be a joy and a curse.

Carter's discovery produced international interest and excitement beyond measure. Government officials, journalists and visitors from around the globe demanded access to the tomb. The battle ensued. Together Carter and Lord Carnarvon would face the climate of World War I, Egypt's National Party, the Antiquities Service, illicit antiquities dealers, the Abd el Rassul clan, Prime Minister Saad Zaghlul, the Egyptian press, envious Egyptologists, a host of self-important nobles, and thieves. The discovery of the century that should have produced scientific and artistic enthusiasm instead produced pettiness, lies, betrayal, corruption and jealousy.

This incredible true story is brought to life by Christian Jacq.



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At the beginning of the 20th century, a young unknown pharoah remained, beneath his golden mask, in the darkness of a tomb deep in the Valley of the Kings. His name was Tutankhamun. He had lain undisturbed for a thousand years until two men, Howard Carter and Lord Carnarvon, discovered the tomb and wrested him from obscurity in an attempt to solve his riddle. Christian Jacq tells the incredible true story of the strange curse of Tutankhamen which was to cause havoc among its unfortunate victims for the next half-century.

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A Shepherd's Rod Review

A Shepherd's Rod
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In A Shepherd's Rod, Ammena, the daughter of Nido, Pharaoh's chief sorcerer, was a powerful character. Her irresistible beauty drew the unwanted attentions of Pharaoh and every other man who cast his eyes upon her, but what impressed me the most about her was that she was not fixed on this part of herself. Though others were obsessed by her physically perfect form and face, she had more important things on her mind. She wanted to escape the life she was leading and rescue her brothers from their forced apprenticehip under their father's dark direction. Although her father's expectations for Ammena's life only included marrying well and having children, Ammena demonstrated her independent spirit from the beginning. She hated the dark magic that her father practiced and did not hesitate to tell him so, but she supported her brothers because their mother had abandoned the life she could not stand with their father and her brothers needed her love.
In addition to speaking out against the dark practices she loathed, Ammena pursued her interest in healing, in horses, and in slinging under the tutelage of Inarus, her mentor, and Daniel, Inarus's Hebrew slave. These interests made her different from the other women in pharaoh's court and from the women who were Hebrew slaves. When pharaoh condemned Ammena's father and brothers for failing to put Moses in his place after he asked for the release of the Hebrew slaves and used their failure as an excuse to sentence her to slavery in the Hebrew camp for scorning his advances, she continued to break the stereotypical mold for the women of her day by fighting back. She did this by attempting to rescue her family from pharaoh's grasp, by using her skills to survive the challenges she faced after she left Egypt, and by battling as a slinger whose experiences in war convince her that her destiny is to serve the Hebrew God.
Like all of us, Ammena is a unique individual, with a unique plan, but it took a long process of unexpected events and deep suffering for her to discover what the outcome of that plan would be. Eventually she emerges as a heroine of fire and faith unlike any other, but exactly like the person she was always meant to be. The stereotype breaking process through which she did it is a thrill ride that can inspire every one of us who wants to discover his or her true destiny. I thoroughly enjoyed this book. If you want to see an example of someone who lost everything but found her true identity by doing it, open this book, get on this roller coaster, and ride this adventure to the finish.


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The Flaming Sword: A Novel of Ancient Egypt (Queen of Freedom Trilogy) Review

The Flaming Sword: A Novel of Ancient Egypt (Queen of Freedom Trilogy)
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Jacq's final volume in the Queen of Freedom trilogy creates a sense of injustice through its sheer anticlimax to so many plot lines. By the end of the final page, I put this down feeling somewhat cheated, having followed the lives of so many Egyptians who had fought to regain the Two Lands and suffered enormously for it. The reason is simply because of Jacq's dealing with the major characters who have brought so much death and destruction. Following on from the theme of the previous two we find the utterly depraved Khamudi and the unequivocally evil Apophis continuing to murder and torture their way through thousands of people. In fact Jacq spends a lot of time describing these acts of cruelty and a general disregard for human life on a scale that is pure genocide. All of which serves to ensure the reader wants a fitting end to these people who have committed such atrocity.
And it doesn't happen.
Their deaths are almost footnote in nature and whilst it is not necessary for them to die in a manner similar to the deaths they have caused, there is no sense of justice whatsoever. Take the emperor Apophis for example, as the ultimate cause of all the suffering. Jacq has him get up one day, get into a litter and casually gets stabbed by Khamudi and his corpse burnt. In the space of ten or so lines. An utter anti-climax. You'd expect a climatic scene of some kind where he meets the Egyptians or somesuch, but nothing. The same for Khamudi. In a scene reminiscent of the death of Pompey the Great, Ahhotep turns up to find the final Hyskos emperor was been killed in a village for being rude to someone! Again, utterly anti-climatic. In fact the only death that has a sense of justice about it is Aberia's death by Big Feet in the prison camp at Sharuhen.
In the final volume, Pharaoh Ahmose finally liberates Memphis and then Avaris (though the latter is done with the aid of a major earthquake). Jannas is murdered, Windswept flees to Minos, thus ensuring the Minoans and Egyptians join forces against the Hyskos. The Hittite Empire arrives in time to destroy the Hyskos reinforcements and we eventually uncover the spy (who's fairly obvious as it can only be one of two people given the lack of suspects throughout the trilogy) which means the Ahhotep can retire to the temple for the rest of her natural life as promised in the opener and Ahmose can now rule the Two Lands peacefully again with his wife Nefertari.
So, as a trilogy, not as good at Ramses. Jacq's style (or perhaps the translator's) is overly punchy, moving from scene to scene almost paragraph by paragraph. The body count continues to be high, too much time given over to the murdering and torturing but it does build the sense of expectancy of a fitting climax - which is never delivered, disappointingly so. The entire trilogy is an easy read on a long train or plane journey but there needs to be improvement to reach the heights of Ramses again.

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In the north, the barbaric Hyksos still rule with unimaginable brutality. Queen Ahhotep, meanwhile, has recaptured much of the south -- but at a terrible price: her husband has been killed in combat and her elder son, Kames, was mysteriously poisoned. Ahhotep refuses to be crowned pharaoh and prepares her second son, young Amose, to take power instead. Thanks to her, the Egyptians are now ready for the final battle. They lay siege to Avaris, the Hyksos capital -- and once the city is taken, nothing can stop them. After 100 years of occupation and thousands of violent deaths, it looks as though the Egyptian empire may at last rise from the ashes.

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Mara, Daughter of the Nile (Puffin Story Books) Review

Mara, Daughter of the Nile (Puffin Story Books)
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Mara is a wonderful heroine for young girls. Set in the time of Hatshepsut, Pharoah of Egypt, this small novel brings to life a distant era with remarkable clarity. McGraw has crafted her vision of the period around an exciting palace intrigue. The character of Mara, a young slave girl, is an excellent example for young women and it is remarkable to find in a book that was written in the 1950s. If you know a young woman of 9 to 14, give her this book.
This is one of the best books that I have ever read - how fortunate that it is still in print after all these years! I first encountered this excellent novel in 1961. I read it at least 20 times. I was too poor to purchase, so I copied the book out in about 10 school scribblers. True! When my daughter was 10, I bought a copy for her and another for myself.
McGraw's interpretation of the era can easily be faulted, but her sense of "Egypt" cannot. This book sent me on an investigative journey into the subject of Egyptology that has been a distinct pleasure all my life. I highly recommend this wonderful tale.

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The adventures of an ingenious Egyptian slave girl who undertakes a dangerous assignment as a spy in the royal palace of Thebes, in the days when Queen Hatshepsut ruled.

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The Genesis of Israel & Egypt: An Enquiry into the Origins of Egyptian & Hebrew History Review

The Genesis of Israel and Egypt: An Enquiry into the Origins of Egyptian and Hebrew History
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This is one of the most exciting historical books I've ever read. Sweeney has finally answered the question as to why the important characters of biblical history were apparently unknown to the Egyptians. The two chronologies are out of sync by 1,000 years. Truly revolutionary. The most exciting part for me was the discovery that Joseph (of the many-coloured coat) was the same person as Imhotep, the great seer who designed the Step Pyramid at Sakkara. This book is a must for any Indiana Jones enthusiasts of Egyptian and biblical history.

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Genesis of Israel and Egypt proposes a radically new view of ancient history and the forces which shaped it. Many biblical characters are associated with Egypt and scholars have always attempted to connect biblical accounts of ancient times with history as recorded in Egyptian hieroglyphics. All attempts failed and the orthodox view developed that the major characters of Hebrew tradition were actually of such minor significance that they had no place in the Egyptian accounts. Although it was recognised that many tantalising similarities existed between the two histories, no one could make them tally.

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Three Novels of Ancient Egypt: Khufu's Wisdom, Rhadopis of Nubia, Thebes at War (Everyman's Library) Review

Three Novels of Ancient Egypt: Khufu's Wisdom, Rhadopis of Nubia, Thebes at War (Everyman's Library)
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Apparently these are the first three of the author's novels. This is a beautiful edition and it is also cheaper than buying the three paperback novels separately. There is an introduction, a chronology of the author's life, and then the three novels.
The introduction is a missed opportunity. I think that I might have appreciated these novels better with the help of some information about the culture in which they were written. However the introduction offers little more than plot summary. I recommend skipping it. The chronology is nice, but not tied in with the introduction.
The first novel, Khufu's Wisdom, seems to be about fate and moral choices. It tells the story of a king whose efforts to defy his fate only help to make that fate happen. It is set during the construction of one of the pyramids, but there is not much in the way of historical detail (and I think there are also some historical inaccuracies). It reads more like a biblical fable than a historical novel. It is beautifully written, but the story is somewhat simple by modern American standards.
The second novel, Rhadopis of Nubia, is much better than the first. It tells of a disastrous love affair between a king and a beautiful courtesan. It is also beautifully written, in a lavish, sometimes over the top style.
The third novel, Thebes at War, did not grab my interest and I didn't finish it. Maybe I'll try again later.
The three novels have three different translators, but all of the translations read well and have a similar flavor.
If you have not read any of the author's work before, you might also consider starting with the Cairo trilogy.

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(Book Jacket Status: Jacketed)From Nobel laureate Naguib Mahfouz: the three magnificent novels—published in an omnibus edition for the first time—that form an ancient-Egyptian counterpart to his famous Cairo Trilogy.Mahfouz reaches back thousands of years to bring us tales from his homeland's majestic early history—tales of the Egyptian nobility and of war, star-crossed love, and the divine rule of the pharoahs.In Khufu's Wisdom, the legendary Fourth Dynasty monarch faces the prospect of the end of his rule and the possibility that his daughter has fallen in love with the man prophesied to be his successor.Rhadopis of Nubia is the unforgettable story of the charismatic young Pharoah Merenra II and the ravishing courtesan Rhadopis, whose love affair makes them the envy of all Egyptian society.And Thebes at War tells the epic story of Egypt's victory over the Asiatic foreigners who dominated the country for two centuries.Three Novels of Ancient Egypt gives us a dazzling tapestry of ancient Egypt and reminds us of the remarkable artistry of Naguib Mahfouz.

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Warlock: A Novel of Ancient Egypt Review

Warlock: A Novel of Ancient Egypt
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In 'River God' Wilbur Smith created magic, intrigue and character with Taita - the slave, eunuch, Pharoah's confidant, artist, architect and bombast. Readers could not get enough of him, and salivated at the prospect of his return, finding glimpses of him in 'The Seventh Scroll'.'
In Warlock, Taita returns : ancient, arcane and mystic from his hidden desert cave, where he'd been communing with his beloved mistress Lostris-she's now a Goddess in the pantheon and his protector. She wants him to return to action and save her grandson, Nefer Memnon-the boy pharoah from the turmoil and intrigue that will arise with the assassination of her son and present pharoah Tamose.
It's open season for the slaying of gods as both Tamose and Apepi, the Hyksos pharoah are brutally murdered by rivals who plot to rule both the upper and lower kingdom and rule the world. From this turmoil, Taita extricates Nefer and Mintaka-Apepi's daughter and smoothens their ongoing romance, even as they rebuild their lost kingdoms in the deserted city of Gallala.
In the midst of the battles and the political intrigue, Taita's formidable new weapons of magic and his shadowy presence overlook all the principal characters: he is 'the magus'- the warlock and adversary to his enemies, and 'Tata'- the father figure to his friends.
The 'River God'is by far, the best book that Wilbur Smith has written and you can see him trying hard to replicate his success by building on the character of Taita. But without Tanus and Lostris-Taita's god and goddess, he struggles to find inspiration. Or, did Wilbur Smith make the fatal mistake of forgetting that we liked Taita when he told us his story in a first person narrative, so that we could laugh and cry with his charms and foibles?
Wilbur Smith's fans all over the world will find it strange that 'Warlock'is the first book that is not dedicated to his wife, Danielle. Instead he has a new love in his life, and I suspect that his present romance kept him from fleshing out the characters of Nefer and the villain Naja in better detail. Still, a page-turner for all of us Taita fans and Egyptologists. Let's just appeal to Wilbur Smith and say : 'Make Warlock the second part of your trilogy (ignoring 'The Seventh Scroll'which is set in modern times) and we'll ensure that it is compulsory reading, before he comes out with the concluding book in the Taita series.

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The Penguin Historical Atlas of Ancient Egypt (Hist Atlas) Review

The Penguin Historical Atlas of Ancient Egypt (Hist Atlas)
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Many people are writing that this book did not satisfy their desire for facts and more in-depth explanations of Egyptian history, and that the book's text is not informative. This book is not meant for that purpose, and is really and truly an atlas. The maps are what matter.
In that reguard it serves its purpose and more. The maps are extremely easy to follow, clearly labelled and idenitified, colorful, and most of all- informative. One can tell so much about a period of history by analyzing a map, particularly several which have trade routes, battle sites, important roads and cultural sites CLEARLY marked. Who could ask for anything more! This atlas is wonderful, and is, I repeat, an atlas.
Anyways? What kind of person sits down and reads an atlas? I mean, seriously, its just a reference book, its not a novel. Its not supposed to tell wonderful stories and dazzle you with vibrant facts, its just maps, and anything else, is extra.

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From its humble origins as a cluster of rival chiefdoms along the banks of the Nile, ancient Egypt rose to become one of the most advanced civilizations of its time. This atlas traces its turbulent history and remarkable cultural development, from the founding of Memphis around 5000 BC, through the territorial expansion and flourishing trade of the 'age of empire', to Greek domination and ultimate collapse. Political rivalries are charted through the successive dynasties, from the strife of the intermediate periods to the golden ages of prosperity and artistic glory under Akhenaten, Tutankhamun and Ramesses II. The latest archaeological evidence is used to cast new light on the vast architectural legacy of the world's first great nation state. The authoritative narrative, illustrated with over sixty full colour maps and over seventy plates, makes this an indispensable handbook for history students and enthusiasts alike.

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