Showing posts with label art history. Show all posts
Showing posts with label art history. Show all posts

The Complete History of Costume & Fashion: From Ancient Egypt to the Present Day Review

The Complete History of Costume and Fashion: From Ancient Egypt to the Present Day
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Always on the lookout for any new costume reference, I was
eager to leaf through this one. Unfortunately, it was nearly
a waste of time.
I say "nearly", because Cosgrave provides quite a few helpful
illustrations, though the objects depicted are often mislabelled and period paintings are seldom fully cited.
In general, I found this volume to be shallow and badly researched. It's full of bad generalizations and misused terminology. Cosgrave makes numerous statements which are at odds with everything I've come to know about historical costume. Seldom are these bald statements backed by sources discussed in the text. She also has a 'thing' about Byzantine costume. Everything worn in any other place or time suffers in her constant comparisons.
One of my favorite absurdities is that her entire discussion of medieval jewelry is a dismissal of the same as "crude". (Though she does allow that the Irish did some nice work. And, of course, it suffers by comparison to Byzantine jewelry.)
Another example: The caption regarding a painting of people in Burgundian Court Dress urges the reader to "Note the Byzantine influences". Huh?!!
In general I'd recommend that the re-enactor or Costume History
student look at the pictures and ignore the text.

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The Complete History of Costume and Fashion is a comprehensive illustrated guide to the history of clothing and fashion. At different times in history, fashionable dress has taken very different forms. From the first fashion style of the Egyptians to the extravagant clothes of the Romans, from the birth of the Dandy to haute couture in the twentieth century, this book chronicles the evolution of style for both males and females from a social, cultural, and historical perspective.Organized by specific time periods, coverage includes:The Ancient Egyptians: Noble garments, wigs and hairpieces, eye make-up, jewelryGreece and Rome: Classical elegance, the Etruscan wardrobe, bright colors, the togaMiddle Ages: Medieval Europe and Byzantine fashion, age of chivalry, trains and sleevesEarly Renaissance: Damask, taffeta, velvet, tight-fitting bodicesSixteenth Century: Flowering of the arts, science and fashion, doublets and ruffs, bodicesSeventeenth Century: Influence of the Baroque, ribbons and embroidery, wigs for menEighteenth Century: Extravagance and excess, masks, buckled shoes, three-cornered hats, hoop skirtsNineteenth Century: Victorian values, crinolines and bustles, artificial hair color, double-breasted jacketsTwentieth Century: The age of diversity, global style, mini-skirts, supermodels, street fashion, new fabrics.

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The Cave and the Cathedral: How a Real-Life Indiana Jones and a Renegade Scholar Decoded the Ancient Art of Man Review

The Cave and the Cathedral: How a Real-Life Indiana Jones and a Renegade Scholar Decoded the Ancient Art of Man
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Usually I don't bother to review books I do not like, but I feel so strongly about the subject of Aczel's book--the prehistoric painted caves of Europe--that I feel I have to warn unwary readers about this book. It seems to be directed toward a general audience yet dresses itself up as a scholarly work. Its dogmatism is illogical and offensive.
In between narratives about his personal visits to caves (two of which I myself have visited, Niaux and Pech Merle) and to other places such as the northernmost native village of Alaska, Aczel tries to survey and pick apart earlier actual experts on the caves, of which he demonstrably is not, as well as to promote the outdated, neoFreudian, structuralist theories of André Leroi-Gourhan, theories which are based on a pseudoscientific reasoning that posits that each "sign [in the caves] has one of two meanings: male or female," as do the incredible, numinous depictions of animals and a few humans and human-animal figures. When you realize that for Leroi-Gourhan bisons are female and horses are male, with similar divisions for the other animals, you begin to understand how preposterous his ideas are.
Meanwhile, Aczel discredits the theory of today's foremost expert on the subject, Jean Clottes (with David Lewis-Williams), that the art represents shamanism. Like Leroi-Gourhan, Clottes and Lewis-Williams feel compelled to bolster their theory with science (in The Shamans of Prehistory: Trance and Magic in the Painted Caves), a fact Aczel conveniently ignores, just as he shows an egregious ignorance about shamanism (did he even read Mircea Eliade's great work, Shamanism: Archaic Techniques of Ecstasy, on the subject? There is no indication he did). Calling their theory "ludicrous," Aczel claims Clottes and Lewis-Williams maintain "the purpose of all Paleolithic cave art was shamanistic," yet they clearly say, "it would be naive to hope for one complete explanation of parietal art" (The Shamans of Prehistory). Sadly, Aczel is just that naive.
Aczel would have been far better off providing a survey of the history of modern exploration and ideas about European prehistoric cave art, a description of his own experience, and an explanation of his own original thoughts on the topic. Apparently he has none. His book has almost nothing of the cathedral of his title and not enough of the cave.
Having said this, I must say I agree that the Cro-Magnons depicted a dichotomist world of binary oppositions--archetypes in other words. I do not agree that these archetypes were all sexual, far from it. If you want a much better introduction to Cro-Magnon art, read Journey Through the Ice Age, by Paul G. Bahn and Jean Vertut.

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Awakening Osiris: The Egyptian Book of the Dead Review

Awakening Osiris: The Egyptian Book of the Dead
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I have several translations already of the Book of the Dead, but this work is far more than that. If feel as if the author is speaking right to my soul, and built a bridge with words to a people that lived 3000 years ago, and a religious tradition that was rich and vibrant and filled with great mystery, power, and truth. Hers is a translation of spirit that is accessible to all who wish to accept it, and I believe the Book of the Dead, and in particular this addition, should be held up alongside the Bible and other sacred works as one of humanity's most revealing and inspiring works.

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THE EGYPTIAN BOOK OF THE DEAD is one of the oldest and greatest classics of Western spirituality. Until now, the available translations have treated these writings as historical curiosities with little relevance to our contemporary situation. This new version, made from the hieroglyphs, approaches the Book of the Dead as a profound spiritual text capable of speaking to us today. These writings suggest that the divine realm and the human realm are not altogether separate; they remind us that the natural world, and the substance of our lives, is fashioned from the stuff of the gods. Devoted like an Egyptian scribe to the principle of "effective utterance", Normandi Ellis has produced a prose translation that reads like pure, diaphanous verse.

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Off the Wall Museum Guides for Kids: Egyptian Art Review

Off the Wall Museum Guides for Kids: Egyptian Art
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written to fascinate and proactively involve the museum-goer of all ages! This book is a must have for aanyone wishing to understand and appreciate the art of ancient Egypt. It is a fun trip even if confined to a cozy chair at home !!

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Luxor Museum: The Glory of Ancient Thebes Review

Luxor Museum: The Glory of Ancient Thebes
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The Luxor Museum is small but contains many great artifacts of all types. This photographic approach uses some of the finest examples on display to take the reader through the museum in the order of a tourist visit. A plan of the museum is included. The great majority of photos are of free-standing statues in the round, mainly of royals and a few deities. They are superb examples, mostly of the 18th dynasty. Two outstanding figures that merit mention are the seated statue of Tuthmosis III in black granite, and the magnificent and rarely seen alabaster statue of Amenhotep III with the crocodile-headed god Sobek.
There is so much more that could have been included. It's a nice book of 41 limited color photos that could have been a great volume had it depicted more of the awesome artifacts on display.
Will look good on your coffee table.

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The Luxor Museum houses a fine collection of Egyptian antiquities that is beautifully exhibited. This illustrated volume highlights some of the masterpieces found in ancient Thebes. There are glorious examples of ancient artifacts from tombs and temples in Karnak and Luxor, and the Deir al-Bahari mummy cache. Middle Kingdom statues depict the pharaohs who made Thebes their political capital and Amun the king of the gods. The New Kingdom brings statues and artifacts from the time of the great pharaohs such as Ahmose, Hatshepsut, and Thutmosis III. Akhenaten and the revolutionary Amarna art, and the famous boy king Tutankhamun, are present too.

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Chronicle of the Pharaohs: The Reign-by-Reign Record of the Rulers and Dynasties of Ancient Egypt (The Chronicles Series) Review

Chronicle of the Pharaohs: The Reign-by-Reign Record of the Rulers and Dynasties of Ancient Egypt (The Chronicles Series)
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The Chronicle series is always great including here as Peter Clayton introduces us to the 33 dynasties that were ancient Egypt.
Starting with Menes the Great (who united Upper and Lower Egypt) and ending with the dynasty created by Alexander the Great (which included Cleopatra XIII...THE CLEOPATRA!) this book is a wonderful introduction to both the Pharaohs and their relationships with each other!
In the process, one learns the story behind such luminaries as Menes as well such unsung heros of Egyptian history as Thutmose III (grandfather to Akhnaten and rightly referred to as the Alexander the Great of Egypt).
While it is true that this entry in the Chronicle series (like all of it counterparts) suffers from the curse of brevity, it also has the significant strength of including ALL the characters concerned and giving one that ALL IMPORTANT SENSE OF THE BIG PICTURE.
This is both a wonderful and wonderfully illustrated book that will give you VERY BRIEFLY a sense of the scope of the 33 dynasties that were ancient Egypt.
Buy it. You won't regret the purchase!


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"An entertaining overview of an extraordinarily diverse ancient civilization."-Biblical Archaeology Review.
Here are all the rulers and dynasties of Egypt presented in chronological order, from Narmer, who first united the lands along the Nile, to Cleopatra some 3,000 years later. The biographical portraits of each pharaoh form a comprehensive and immensely readable history of ancient Egypt, brought to life through the exploits and personalities of its rulers.We see how individual pharaohs helped to shape Egyptian civilization and were shaped by it themselves. The rich illustrative material includes timelines and specially drawn cartouches of each pharaoh with translations of their names.The book is at once an accessible history, an essential work of reference, and a visual introduction to this always fascinating ancient civilization. 350 illustrations, 130 in color

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Egyptian Art in the Age of the Pyramids Review

Egyptian Art in the Age of the Pyramids
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This volume is the a catalogue of the recent exhibition of the art of the Old Kingdom of Egypt (c. 2649-2150 BCE), one of the grandest and significant periods in ancient Egyptian history. During this period, Egyptian art and architecture reach levels that not matched in many other periods and to a large extent represent one of the peaks of human achievement in all times. This exhibition has brought together most of the important objects from this period from collections throughout the world. In this volume, there are excellent discussions on a wide variety of topics and fantastic photographs of the various objects. This is clearly a "desert island book", probably the best available book on the Old Kingdom art of Egypt and one of the best and nicest books on ancient Egypt in general

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The Art and Architecture of Ancient Egypt (The Yale University Press Pelican History of Art) Review

The Art and Architecture of Ancient Egypt (The Yale University Press Pelican History of Art)
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This is on the reading list for my archeology course at Monash University, Melbourne, Australia. As well it should be. It is informative for students and the interested layman. I felt that more photos in the book could be in colour. It is a must for those wanting to increase their appreciation of museum visits.

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The Art of Ancient Egypt: Revised Edition Review

The Art of Ancient Egypt: Revised Edition
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This turned out to be exactly what I was looking for which was a basic explanation of Egyptian art. It is extremely well orgainzed and is not written in a dense fashion. The illustrations/photos of art have good, lengthy explanations next to them- telling you exactly what you are looking at, not just "wall painting from tomb". I really wish all art history books were this well written, lushly illustrated and frankly, affordable.

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From the awesome grandeur of the Great Pyramids to the delicacy of a face etched on an amulet, the spellbinding power of ancient Egyptian art persists to this day. Spanning three thousand years, this beautifully illustrated history offers a thorough and delightfully readable introduction to the artwork even as it provides insight into questions that have long engaged experts and amateurs alike. In its scope, its detail, and its eloquent reproduction of over 250 objects, Gay Robins's classic book is without parallel as a guide to the art of ancient Egypt. And her eagerly awaited new edition includes many new color photographs and a fully revised and updated bibliography.


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