Ancient Egyptian Design Coloring Book (Dover Pictorial Archive) Review

Ancient Egyptian Design Coloring Book (Dover Pictorial Archive)
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Excellent book to begin a young child on the pathway of learning the World's History and discovering New Lands and a diversity of religions. My granddaughter loves her books. Thank you .

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Thirty-nine authentic pictures taken from Tutankhamun's Tomb and other shrines at Thebes, from the 18th-20th Dynasties. Identifying captions with historical information accompany each drawing and a brief introduction and glossary of gods complete this fine source of ancient Egyptian pictorial design. 39 plates.

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Fun with Egyptian Stencils (Dover Little Activity Books) Review

Fun with Egyptian Stencils (Dover Little Activity Books)
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Paul has taken Egyptian motifs and produced them in glossy plastic stencils. There are six individual design motifs, from a mummy case to an ankh. There's also a nice stencils of the Egyptian god Anubis. These designs are perfect for school or home use. I would recommend this stencil booklet to anyone who loves all thing Egyptian. The price here is beautiful...I paid more than what it is here. Still it's well worth it.

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6 stencils, including Egyptian mummy case, the jackal-headed god Anubis, the ankh, a hawk, and a lotus blossom.

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Egyptian Art (Fitzwilliam Museum Handbooks) Review

Egyptian Art (Fitzwilliam Museum Handbooks)
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Printed on quality paper, beautifully illustrated, this book provides a one-page description of a large variety of objects (from the Early Dynastic Period to the Roman Period) including sculptures, vessels, statuettes, reliefs and other objects. Each description is accompanied by a photograph and recommended books for further reading. Are also included in the book a bibliography and a glossary of Egyptian deities with entries from Amun to Wadjit. This book is a visit to the Fitzwilliam Museum's Egyptian collection. Useful and recommended for lovers of art.

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This lavishly illustrated book brings together a selection of ancient Egyptian works of art of outstanding quality and interest, ranging from large sculptures to small decorative objects. The introduction and full descriptions explain their significance, style, material, and mode of manufacture within the framework of the life and religious beliefs of the royal and private owners for whom they were made. Readers will find much of interest among the numerous objects, all of which are shown in color and many published here for the first time.

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The Art of Ancient Egypt Review

The Art of Ancient Egypt
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This book is an excellent introduction for the general reader into the 3000 year history of ancient Egyptian art. Robins' writing style is clear and accessible, her illustrations well-chosen and exceptionally well-captioned. Presenting a chronological overview rather than a strict thematic examination, Robins carefully walks the reader through the centuries as Egyptian artistic expression began in various mediums and developed specific styles. She lifts for recognition the philosophical integration of Egyptian metaphysics and aesthetics that was always displayed in art work meant to be functional rather than decorative, whether used in a tomb or a temple. Woven throughout her text is an argument for an Egyptian style that was continuous for the length of the Egyptian civilization, a style that avoided foreign influences until the Roman rule that came following the death of Cleopatra VII. The colors plates are beautiful and provide the armchair Egyptologist with an opportunity to become familiar with wonderful monuments and delicate objects joined in their expression of an Egyptian cosmological understanding that remained intact across three millennium.

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The Ancients: Investigations into the Lost Civilizations of Lemuria and Atlantis Review

The Ancients: Investigations into the Lost Civilizations of Lemuria and Atlantis
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Fascinating insight on Atlantis and Lemuria. The book does not set out to prove or disprove the existence of these lost civilizations. Instead the author presents many of the stories, legends, and evidence from around the world from Plato, the American Indians, and even modern day accounts. The book is a great read for anyone interested in the Lost Civilizations. We must not forget that Troy was once thought to be just a legend.


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Many previously published works on the individual subjects of Lemuria and Atlantis are outdated and lack current academic and scientific findings.The Ancients: Investigations into the Lost Civilizations of Lemuria and Atlantis presents an analysis of information along an established historical timeline. This new research interlaces the sequence of events with esoteric elements: concepts that challenge our conceptual view of human history. Using a historical perspective, the author examines ethnographical and early written accounts related to the myths and legends of Lemuria and Atlantis, in an anthropological and archaeological context.The historical context that is presented relies on established scientific theories and obscure esoteric perspectives with the aim of bringing into light new possibilities.With a multi-cultural background consisting of American Indian and European-Spanish decent (or Mestizo), the author offers new perspectives related to stories of these mysterious and ancient civilizations.

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Egyptian Romany: The Essence of Hispania Review

Egyptian Romany: The Essence of Hispania
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Egyptian Romany is the eleventh book in a line of non-fiction works by author, Moustafa Gadalla, a torch bearer illuminating the threadbare excuses and suppositions of centuries of Western academic posturing (as means of job protection) upon Egypt and its ‘imagined' (more Western job protection) history. Perhaps that is a little misleading, as Moustafa Gadalla's work is not theory debunking, rather it is by his process of revealing to the world the tenets of ancient and modern Egyptian life the outdated academic battleships who should never have been trawling in these waters to begin with are sunk. If you are at all familiar with the author's work, Egyptian Romany will not disappoint and if all you care about is understanding how interpolated Spain, with preference to the Iberian coast, was and still is with ancient Egypt you may be stunned with the stark, yet undisguised, realisations and common-sense findings within.
Among the repertoire of the author's multilingual published works, Egyptian Romany shares a certain relationship to the earlier work, Exiled Egyptians, in that it is a tracing of lineage and interrelationships along the tides of millennia. Unlike, said previous work, Egyptian Romany explores the special relationship between the two lands, one that is prevalent in modern society in Spain to this very day.
It is the ‘silent majority', known perhaps most commonly as Gitanos/Gypsies/Romany who by their very nature of non-violence toward northern colonists were pushed out of their country into nomadic-seeming existence that the book begins, delving immediately into etymological fact before breaking down the stages of conquest over the land and people. The union of Egypt and early Iberia is explored with the Virgin Mary/Isis, which remains indelibly powerful today; this link is revealed clearly woven back to its intrinsic roots in Egypt with story and symbology. Spiritual kinship is not the premise of Egyptian Romany, however, as it is one that has strong trade ties that Egypt was dependent on from the Iberia, given silver was one of the metals more plentiful outside of the limited eastern Mediterranean stores. Moustafa relates metallurgical methods and historical accounts delving trade routes and methods of oceanic transport, in particular, in rich detail. Beyond these geo-cultural foundations the author investigates the collapse of the peaceful relationship between the countries by the aggressive invasions by Roman, Moorish, and other forces who would come to occupy and laud their selves over the indigenous peoples; in detail the impact on Iberia itself and the fact-less bias of such occupiers and their academic champions in their assertions of ‘renaissance' over their colonised demesne. An excellent dissertation on languages and dialects of Hispanic culture ends the book with two similarly power-packed chapters on the religious and musical traditions from Egypt with preponderance on their representation in Iberian culture.
Like previous Tehuti Research Foundation volumes, Egyptian Romany continues with similar design and layout, no-nonsense lineated illustration is coupled with small to full page geographical maps permeate chapter. Paragraphs are concise and neatly laid out, with important information easily accessed with bullet points and highlight that have the care of any manual or instructive material. This is not an academic book in the sense of vast swathes of tiny text drowning in its own paragraphs. The visual elements and typography make the book an easily digestible work for the young to the old. Extensive glossary, bibliography, and sources are provided for the reader and the index, as with other Tehuti Research Foundation volumes, is on par excellence, not some shallow and haphazard accretion.
Speculation is not the pulpit of Moustafa's work, you do not get the sense of browbeating for indigenous demands as it is by facts and historical observation gathered in such a lucid manner that makes intelligent and refreshing reading. If you at all are interested in the Egyptian themes that wend throughout Iberian history whether you know about them or not, I highly recommend this book, and if you're at all familiar with Moustafa Gadalla's work then Egyptian Romany will be another welcome addition to your library.

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Egyptian Art in the Age of the Pyramids Review

Egyptian Art in the Age of the Pyramids
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This volume is the a catalogue of the recent exhibition of the art of the Old Kingdom of Egypt (c. 2649-2150 BCE), one of the grandest and significant periods in ancient Egyptian history. During this period, Egyptian art and architecture reach levels that not matched in many other periods and to a large extent represent one of the peaks of human achievement in all times. This exhibition has brought together most of the important objects from this period from collections throughout the world. In this volume, there are excellent discussions on a wide variety of topics and fantastic photographs of the various objects. This is clearly a "desert island book", probably the best available book on the Old Kingdom art of Egypt and one of the best and nicest books on ancient Egypt in general

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